On the slow art of the chapbook
Why small-press poetry collections are having an unexpectedly loud moment — and what the chapbook still does that nothing else can.
Read the story →Winter Showcase 2026 – submissions close Wed 30 September
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Essays, interviews, reviews and notebooks from the world of independent poetry — and from the poets we publish.
Why small-press poetry collections are having an unexpectedly loud moment — and what the chapbook still does that nothing else can.
Read the story →The author of Celestial Heteroglossia on code-switching, the music of translation, and why she writes her first drafts in two languages at once.
Read the story →A two-hour generative session for poets of all experience levels — places are free thanks to our 2026 partners.
Myra Schneider’s late-career book finds the weight of the world in a sparrow at the window.
Applications are now open for our fully-funded mentoring scheme for poets aged 16–24.
Six pamphlets, six very different rooms. Meet the poets shortlisted for this year’s prize.
On hearing a poem in a poet’s own voice, and what gets lost when we only ever read in silence.
We’re joining forces with three small presses to widen distribution for debut poets.
Is the prose poem a contradiction, a loophole, or the most honest form of all? A defence.
The poet discusses obsession, persistence, and writing a whole collection about a single idea.
A short, warming selection from the archive, chosen for the darkest stretch of the year.
Why every poet should keep a magpie’s notebook of stolen lines, overheard speech and odd facts.
Founder Susan Sims looks back at two decades of community readings, prizes and stubborn independent publishing.
Three readings, one power cut, and a room that stayed anyway. A short notebook from a good night.
What a translator owes to the pauses, the line breaks and the white space a poet leaves behind.
A generous, surprising gathering of poems about the objects we keep and what they keep of us.
A new generation of first collections, from kitchen-table elegies to long ecological sequences.
Forty poems, twelve poets, one cold December. Looking back at the work that defined the season.
A four-week online course on working inside — and against — traditional poetic forms.
Who actually pays for a poem? A clear-eyed look at how small-press publishing stays alive.
The collections, debuts and arguments that shaped a restless, surprising year for the art.
A gentle, careful session on writing grief — held over two evenings in the new year.